{"id":273,"date":"2011-04-18T23:10:04","date_gmt":"2011-04-18T23:10:04","guid":{"rendered":"http:\/\/www.olwill.com\/?p=273"},"modified":"2011-04-22T11:14:19","modified_gmt":"2011-04-22T11:14:19","slug":"pcpraidio-_smeary-smear","status":"publish","type":"post","link":"https:\/\/www.olwill.com\/?p=273","title":{"rendered":"PCPRaidio _Smeary Sm\u00c3\u00a9ar"},"content":{"rendered":"

A show from a couple of weeks ago. I will write about the first couple of tracks tomorrow<\/strike>, as they’re from the most important Irish beats record ever.<\/strike><\/p>\n

<\/p>\n

The Deviant ep is the most important Irish electronic\/dance record ever. The first reason it is so important is that is very good. The second reason is that it is Irish dance music that sounds Irish. To Irish underground music ears this is usually a bad thing. It’s associated with the usual clich\u00c3\u00a9d high kicking , wooly jumpered folk images and more recent cringers; Cotton eyed Joe, Bewitched , Afro Celtic \u00c2\u00a0<\/span>sound system, bad trad mash up amongst others.<\/p>\n

Great, successful Irish dance records are so conspicuous by their absence (leaving aside the other reasons such as until recently the lack of any diasporic communities or strong counter cultural movements) because of this squirming discomfort with Irish culture.<\/p>\n

Most Irish electronic music producers imitate. They imitate every electronic music culture. They will never succeed. Or if they do it will be pastiche and it will be too late.<\/p>\n

I will post soon as to why this is the case.<\/p>\n[audio:\/PCPRaidio_Six_footApp_Smeary_Sm%e9ars.mp3]\n

Download or Click for Mobile devices<\/a><\/p>\n

1.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0DEVIANT\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0– Oh Gravity- On Community Skratch Music(IRE)
\n2.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0DEVIANT-Send in the hounds- On Community Skratch Music(IRE)<\/p>\n

Six Foot Apprentice
\n3.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0DEVIANT – “Planxty Angsty” (unreleased) (IRE)
\n4.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0GLAND & CONDUIT – “Anal Duct Nodding” (from “Ore” on Second Square To None Records) (IRE)
\n5.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0BLUE VITRIOL – “Casiotone Rock” (from “They Went To Titan” on Jahtari Records)
\n6.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0CATSCARS – “Droid” (from “Construction” on White Plague Records) (IRE)
\n7.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0LAKKER – “Kleure” (from “Kleure” on Lakker bandcamp site) (IRE)
\n8.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0JIMMY PENGUIN – “Dred” (from “Dred” on Jimmy Penguin bandcamp site) (IRE)
\n9.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0ILEX – “Ilk” (from “Old Din” on Ilex bandcamp site) (IRE)
\n10.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0HUNTER-GATHERER – “Serbia” (from “Fingerprint Series” on Hunter-Gatherer bandcamp site) (IRE)<\/p>\n

PCP
\n11.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0OLD APARATUS -Side_B_Track_1_2 On Deep Mehdi
\n12.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0NICOLAS JAAR -Too_Many_Kids_Finding_Rain_In_the_Dust\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0On Circus Company
\n13.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0NICOLAS JAAR -Space_Is_Only_Noise_If_You_Can_See\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0On Circus Company
\n14.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0KOWTON- Drunk On Sunday\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0Idle Hands
\n15.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0RAINBOW ARABIA -Without_You- On Kompact
\n16.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0CHASING VOICES\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0Acidbathoryz On Preserved Instincts
\n17.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0ACTRESS\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0Machine & Voice\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0On Non Plus
\n18.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0CUTTY RANKS, GENERAL LEVY-Weh dem watch we\u00c2\u00a0 On Party Time
\n19.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0BRANDY METHOD MAN \u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0what about love x5 riddim\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0on Party Time
\n20.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0BEENIEMAN_REDMAN\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0 What’s love?\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0On Madchemist vol1
\n21.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0CUTTY RANKS\u00c2\u00a0 MR SHOTTY\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0 mr shotty aread codes\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0On Party Time
\n22.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0DJ XELA \u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0Dance hall queen mashup \u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0On Party Time
\n23.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0LIBERTY KING\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0 Ain’t it funny\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0On madchemist vol1
\n24.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0MOVADO \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0 No head sound bwoy On sound bwoy
\n25.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0MOVADO\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0 U CAN’T ESCAPE\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0sound bwoy
\n26.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0KARTEL-\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0COUNT YOU’RE DUPPYS Onsound bwoy
\n27.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0MOVADO -\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0Toe to Toe On sound bwoy
\n28.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0OLD APARATUS -\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0Side_A_Track_1On Deep Mehdi
\n29.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0GATEKEEPER -Chains OnMerok
\n30.\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0ALTER EAGLE-Six_Foot_Arms On 100% Silk<\/p>\n","protected":false},"excerpt":{"rendered":"

A show from a couple of weeks ago. I will write about the first couple of tracks tomorrow, as they’re from the most important Irish beats record ever. The Deviant ep is the most important Irish electronic\/dance record ever. The first reason it is so important is that is very good. The second reason is […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74,13],"tags":[],"class_list":["post-273","post","type-post","status-publish","format-standard","hentry","category-irish-producers","category-radio-shows"],"_links":{"self":[{"href":"https:\/\/www.olwill.com\/index.php?rest_route=\/wp\/v2\/posts\/273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.olwill.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.olwill.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.olwill.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.olwill.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=273"}],"version-history":[{"count":0,"href":"https:\/\/www.olwill.com\/index.php?rest_route=\/wp\/v2\/posts\/273\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.olwill.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.olwill.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.olwill.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}